Essay on Martin Luther and The German Peasant Revolt of 1525

â€Å"Under the outward appearance of the gospel, they honor and serve the devil, thus deserving death in body and soul ten times over.† Luther’s brutal words against the rebelling peasants of Germany in 1525 reveal the complex reality of the Reformation. Suppression of the rebellion by the German aristocracy was swift and violent, leaving over 70,000 German peasants dead. The rebellion targeted the social and political oppression of the peasantry in the early 16th century. The peasants found new justification for revolt in the promising words of Martin Luther. Luther proclaimed a new kind of freedom for the Christian soul and the peasants applied his idea to their own circumstances. However a dichotomy emerged between spiritual freedom†¦show more content†¦He stressed how salvation by faith freed the soul but not the flesh. Instead, temporal power was separate from spiritual power: â€Å"This is not to say every Christian is placed over all things to hav e and control them by physical power†¦such power belongs to kings, princes and other men on earth.† Even early on, Luther made a clear definition of Christian freedom and its limits. While The Freedom of a Christian focused on the spiritual tenets of Lutheranism, in 1523 Luther clarified the role of temporal power in Concerning Governmental Authority wherein temporal power and spiritual power existed together, explaining that â€Å"Both must be permitted to remain; the one to produce righteousness, the other to bring external peace and prevent evil deeds.† Again Luther emphasized the separate spheres of the temporal and spiritual power. One of his many criticisms of the Catholic Church had been its attempt to control both spheres. These two works illustrate Luther had a conservative idea of social and political order. Then, leading up to the 1525 revolt, there were political and economic stresses affecting the peasantry. The 16th century was a dynamic period for Europe as the population increased by 50% from 1480 to 1548. This rapid increase in population had a twofold effect. As a larger population strained resources inflation went upShow MoreRelatedMartin Luther And His Influence On Peasant Results951 Words   |  4 PagesDecember 11, 2015 Martin Luther and His Influence on Peasant Results Martin Luther was one of the most influential people in Christian history, when he began the Protestant Reformation in the sixteenth century. He questioned some of the basic beliefs and principles of the Roman Catholic church and his followers split from the Roman Catholic to begin the protestant tradition. Martin Luther spent a few years at the monastery and finally became an Augustinian monk. Martin Luther gained religious enlightenmentRead MoreMartin Luther And The Catholic Way Of Thinking868 Words   |  4 PagesLutheranism was started by the ex-catholic priest Martin Luther in his attempt to revolutionize the catholic way of thinking. Martin Luther whose lifespan was from 1483 to 1546 studied in the University of Wittenberg where he studied greatly under the laws of sola fide, sola gratia, and sola scriptura which meant by faith alone, by grace alone, by scripture alone. During that time he often question the way Catholics would handle their ways of teaching one example was that the only way to get intoRead MoreLutheranism and Its Impact on Germanic Peasants1396 Words   |  6 PagesThe Rise of Lutheranism and its Impact on Germanic Peasants The rise of a new religion is often met with both praise and malice from the hierarchy of the civilization it springs from. The rise of Lutheranism affected all of Western Europe, but it’s most prominent impact was on the peasants and serfs with no where to turn in what is today Germany. As the growth of Lutheranism picked up speed at the beginning of the sixteenth century, peasants from all over the Germanic states turned to LutheranismRead MoreLuther and the Peasants Revolt1529 Words   |  7 Pagesthe affect of suppressing peasants. Through dictating proper beliefs and a sort of uniform, elite culture that a good Christian should strive to fulfill, peasant culture was increasingly marginalized, deemed inferior to the ruling nobility and even subsequently disregarded in modern hindsight; this perceived inferiority contributed to the nobility’s exploitation of peasants. As the paramount representative of the Protestant Reformation, Martin Luther appealed to peasants t hrough his repudiation ofRead MoreLuther s Address For The Christian Nobility Of The German Nation931 Words   |  4 PagesLuther’s Address: Address to the Christian Nobility of the German Nation (1520) Using the Ninety-Five Theses, Martin Luther almost single handedly lead the reformation of the Protestants in 1520. Although his father was strict, Luther followed his own path by questioning the limits of the church. Because of this, the church shunned Luther and punished him accordingly. Luther spent most of his time studying writings by Augustine which he used these ideas to influence the way Christianity is practicedRead MoreLuther And The Christian Nobility Of The German Nation1396 Words   |  6 PagesIn Martin Luther’s To the Christian Nobility of the German Nation, Luther writes to the German princes on the three walls that the Catholic Church uses to defend themselves from reform. Luther attacks all three walls for the power it gives to the Pope. His attack of the second wall, that only the pope can interpret scripture, is a tenant of Luther’s theology. The Lutheran belief of Sola Scriptura holds that only Scripture should be the source of all Christian practi ces, rather than doctrines declaredRead MoreAdolf Hitler And Martin Luther Of Germany2117 Words   |  9 Pagesbother trying? If so, how? Adolf Hitler of Germany: Martin Luther of Germany: Argument: No it is impossible. Argument: Yes it is possible. Today we have two great and influential people debating an incredibly controversial topic. Adolf Hitler and Martin Luther are both German citizens during a time of conflict, however that is where the similarities end. Luther, who was born in 1483 lived in a very different world from Hither. To Luther, the conflict was focused primarily around religion andRead MoreThe Death Of Martin Luther1013 Words   |  5 Pages Martin Luther was born in Germany on November 10th, 1483. He was the son of Hans and Margarette Luther. In 1501 Martin entered the University of Erurt where he received a master of arts degree. He got a degree in grammar, logic, rhetoric and metaphysics which seemed as if he was becoming a lawyer. In 1505, Luther went through some life changing experiences which led him on a new course. He got caught in a storm where he plead out to St. Anne, Save me, St. Anne, and I have become a monkRead MoreTo what extent was martin Luther responsible for the protestant reformation in Germany?1990 Words   |  8 PagesTo what extent was Martin Luther responsible for the revolutionary Protestant reformation in Germany? In this essay, I will attempt to assess the extent of Martin Luthers role in the Protestant reformation that took place at the beginning of the sixteenth century in Germany. Luthers name is synonymous with the religious Reformation of the sixteenth century, or the evangelical movement as it is sometimes called, but the actual details of the Reformation itself are somewhat lesser known. LuthersRead MoreA Letter Of Protest By Martin Luther1503 Words   |  7 PagesIt all started with one man: Martin Luther, who out of anger, sent a letter of protest directed against the concept of indulgences among the Catholic Church. As with many events in history, all it took was one outspoken man to incite the feelings of thousands of others. These feelings about questioning the church had been building since the previous century, as the spirit of intellectual inquiry was one of the chief legacies of the Renaissance. The 16th Century became known as the Protestant Reformation

Organizational Culture Business Practices - 1011 Words

Does Organisational Culture Shape Ethical Business Practices? U5009333 Sarah Zuiderduin 14/10/2014 Introduction Organisation culture can be described as the beliefs, customs, value systems and behavioural norms and ways of doing business that are unique to each corporation. The impact of organisational culture on the ethical standards and moral practices of people in organisations has become increasingly common (Fisse Braithwaite, 1983). Managers within organisations are now turning to organisational culture to not only to explain what happens in organisations, but also to attempt to shape what happens in the organisation (Sinclair, 1993). Body Definition of organisational culture, ethical business†¦show more content†¦Management can and should actively manage and engage in organisational culture. This process requires clear identification and articulation of a corporate strategy, philosophy or mission. These strategies are not confined to economic goals, but there does need to be a cohesive statement about what kind of organisation the company will be; including its character, espoused values, and relationships to customers, employees, communities, and shareholders (Murphy, 1989). Commonly known as a ‘credo’ (Murphy, 1989), this strategy can be translated into a corporate code of ethics. The credo can be a general statement about the organisational values, the code of ethics should be specific, pertinent, publicized, communicated and enforced, as well as revised (Laczniak Murphy, 1991). Apple Inc. utilises it’s employees levels of innovation, creativity, and provides further training and development programs to ensure a positive, supporting, engaging and empowering organisational culture and attributes this environment to its success. Leadership and its positive influences, linked to above statements about Apple Inc. Identify and describe positive outcomes of organisational culture and its positive influence on ethical business practices. Identify the extent of the influence? The strong cultural approach adopts a more instrumental

Visual Arts Paper Example For Students

Visual Arts Paper It is discovered that dead ends and empty spaces throughout the museum are used to create an eerie atmosphere. The deliberately sloped floors are intended to make visitors nauseate, while the orientation of the interior physically bringing visitors to sunlight, which is symbolic of the direction to salvation. These structural features contribute to the exploration of light, In the museum, light is used to juxtapose darkness in Holocaust Tower, the confined area reminds one f a gas chamber. In installation art Fallen Leaves, the combination of sound and light suggests a spiritual presence, haunting visitors with memories afar. Throughout the museum are scar-like slits and windows, which gradually shifts the overall atmosphere of the museum from disturbance to relief. Light carries historical significance in the Jewish Museum Berlin because it allows readers to relive history, connecting emotionally with the past. It is a hopeful structure that aims not to condemn, but to remember by recording and ultimately accepting horrors of history. Word count: 300 words Chug Mary Yet Fan (0637 0020) Contents Introduction p. 4-5 Daniel Libertines and the Jewish Museum Berlin p. -7 Jewish Museum Berlin as a scared architecture p. 8-10 Structure of the Jewish Museum Berlin p. 11-14 Dead ends Linen floors and winding stairs The Void Natural light in the Jewish Museum Berlin p. 15-18 Holocaust tower Windows and slits of light Fallen Leaves by Menaces Sideman Conclusion p. 19-20 Bibliography p. 21 -22 Appendix p. 23 The 2009 Prettier laureate, Peter Azimuth differentiates architecture trot art as such, it is concerned with insights and understanding, and above all with Ruth Architectures artistic task is to give this still expectancy a tort (Azimuth 19). My passion in architecture comes from the fact that it is realistic, No matter how vantage the design, it always withholds a specific purpose and meaning for society at the time, giving a solid form for what is deemed abstract in the arts: the truth. In the Jewish Museum Berlin, the truth is presented in the form of light Light has long been a fundamental element of architecture, especially in contemporary architecture where light becomes a means of communication that inflicts complex emotions beyond words. Via understanding the importance of light in architecture, we come to have a better understanding of the world we live in. M intrigued by the ideas that each building holds, the truth, and how they are presented. This paper explores how effective is the use of natural light in instilling historical significance into the atmosphere Of an interior space. This depends on the treatment of light, whether it contrasts or compliments the exploration of central ideas. In the Jewish Museum Berlin, Daniel Libertines haunts visitors by the insupportable, immeasurable, unshakeable ruder (Bankers 45) of the Holocaust, while connecting it to the Berlin museum as a gesture of the Jewish and German cultures reconciliation. The atmosphere of the museums interior shifts and changes with different ways of light manipulation. This essay aims to address how light is manipulated to deliver historical significance into the museums interior, and how Libertines structures the interior to compliment the particular use tot natural light in order to create atmosphere. This essay starts with a brief introduction to the architect, Daniel Libertines, ND the structure, Jewish Museum Berlin, over »mewing its stylistic features and purpose, A comparison is drawn between the museum and sacred architecture, illustrating the symbols that light embodies. Structural features of the museum that contribute to the manipulation of light are examined, such as dead ends, uneven floors, Winding stairs, and empty spaces, or voids. An analysis on the role natural light plays in creating atmosphere follows, focusing on the Holocaust tower, Windows, slits Of light, and installation art piece Fallen Leaves. Light is the intangible material that conveys intangible ideas in architecture. In the Jewish Museum Berlin, Daniel Libertines wants to address the void that is left behind after a massacre. It achieves what mere concrete cant: a subtle yet powerful way to establish emotional connection with something that isnt graspable, and most importantly, to give voice to the past and history, giving the structure purpose and context. Chug Mary Yet pan (0637 ? 0020) The traumatic memory of growing up in Communist Poland (Gears) is integral to Daniel Libertines, where he comes to respect the importance Of history. In his Text talk on September 19th, 2012, he explains, every place has a history Moieties the voices are inaudible, sometimes the actions are invisible and yet the history continues to cry out for justice. The architect of the Jewish Museum Berlin is no bystander Of Jewish history, but one Who is part Of it. A visit to Westernizes and its Jewish Cemetery has inspired Daniel Libertines to the idea of a void (Bankers 39). Looking at the empty slabs of tombstone, he was overwhelmed by the fact that these victims Will forever remain unheard. It became evident to him that he mus t bring this feeling into the museum, creating a kind of haunting quality of spaces through which the passage of absence took lace (Libertines 204). Don Juan EssayAnd removes any distinction of traditional Christian motifs and aesthetic (Karol). He masterfully deconstructs the sense of holiness to light. As a result, the contrast between light and dark creates a humble, meditative place Of worship (Karol). The void created by Figure 7: Today Nods Church Of Light Source: Fuji, Annoy. N. D. Photograph. Archaically. Web. 21 Cot. 013. -today-and/>. The for rectangular stone slabs is the only symbol of Christ, which in turn makes the interior infinitely more powerful and pure than actual, physical representations of the Church. The distinctive lines of the stone slabs are highlighted with the projection of light, the cross sign is reflected onto walls and mirrors. Similarly to And, Libertines manipulates with the idea of a void in the Garden of Exile, using negative space to deliver the sense of spirituality. In light of monumental events such as the Holocaust, any physical symbolization would appear rather shallow and ephemeral. Using abstract materials such as light in the context of the Jewish Museum Berlin, however, spiritualists the invisible in a poetic and empowering way. When stripped away of any physical connotations, the past and the invisible can be felt as they truly are, communicating With visitors complex emotions that are beyond words and time. The structure of the museum is crucial to the titration of its interior space, and therefore the way light is used to create different atmospheres and delivering historical significances. The use of quadrilateral shapes results in the defined angles and lines within the windows, shadows and spaces, creating a cage-like interior that suggests violence. Daniel Libertines projects the Jewish way of thinking into the structure of the maximize museum, as he explains, in the Jewish tradition, ideas are not simply posited as ready-made, but are arrived at through an endless process of questioning The buildings organization poses many questions to visitors. There is no set way to read the building (Bitter Libertines 21). Dead ends (Bib 8) are stylistic of the museum. Throughout the museum are abrupt stops, stairs leading to nowhere and empty areas. As result, natural light reflects and refracts within these empty hallways, creating luminous patches Of light onto walls, the floor and the ceiling. Walking through the museum is an exploration itself, While these spaces and dead ends create an eerie atmosphere. Once again, the sense of emptiness represents the invisible, silent presences. Figure 8: Dead end Source: Chug, Mary, Photograph, JPG file, 30 June 2013. 12 In the museum, windows do not necessarily introduce sunlight. There are windows (Pig. G) in the museums that reveal concrete walls, which is the main material for the structure.